Wednesday, February 25, 2009

Finding a connection

This article appeared in my inbox this morning, sent from a far away friend who always knows when I need a little help.

The Long Goodbye

Posted Monday, Feb. 16, 2009, at 6:02 PM ET
Slate.com

The other morning I looked at my BlackBerry and saw an e-mail from my mother. At last! I thought. I've missed her so much. Then I caught myself. The e-mail couldn't be from my mother. My mother died a month ago.

The e-mail was from a publicist with the same first name: Barbara. The name was all that had showed up on the screen.

My mother died of metastatic colorectal cancer sometime before 3 p.m. on Christmas Day. I can't say the exact time, because none of us thought to look at a clock for some time after she stopped breathing. She was in a hospital bed in the living room of my parents' house (now my father's house) in Connecticut with my father, my two younger brothers, and me. She had been unconscious for five days. She opened her eyes only when we moved her, which caused her extreme pain, and so we began to move her less and less, despite cautions from the hospice nurses about bedsores.

For several weeks before her death, my mother had been experiencing some confusion due to ammonia building up in her brain as her liver began to fail. And yet, irrationally, I am confident my mother knew what day it was when she died. I believe she knew we were around her. And I believe she chose to die when she did. Christmas was her favorite day of the year; she loved the morning ritual of walking the dogs, making coffee as we all waited impatiently for her to be ready, then slowly opening presents, drawing the gift-giving out for hours. This year, she couldn't walk the dogs or make coffee, but her bed was in the room where our tree was, and as we opened presents that morning, she made a madrigal of quiet sounds, as if to indicate that she was with us.

Since my mother's death, I have been in grief. I walk down the street; I answer my phone; I brush my hair; I manage, at times, to look like a normal person, but I don't feel normal. I am not surprised to find that it is a lonely life: After all, the person who brought me into the world is gone. But it is more than that. I feel not just that I am but that the world around me is deeply unprepared to deal with grief. Nearly every day I get e-mails from people who write: "I hope you're doing well." It's a kind sentiment, and yet sometimes it angers me. I am not OK. Nor do I find much relief in the well-meant refrain that at least my mother is "no longer suffering." Mainly, I feel one thing: My mother is dead, and I want her back. I really want her back—sometimes so intensely that I don't even want to heal. At least, not yet.

Nothing about the past losses I have experienced prepared me for the loss of my mother. Even knowing that she would die did not prepare me in the least. A mother, after all, is your entry into the world. She is the shell in which you divide and become a life. Waking up in a world without her is like waking up in a world without sky: unimaginable. What makes it worse is that my mother was young: 55. The loss I feel stems partly from feeling robbed of 20 more years with her I'd always imagined having.

I say this knowing it sounds melodramatic. This is part of the complexity of grief: A piece of you recognizes it is an extreme state, an altered state, yet a large part of you is entirely subject to its demands. I am aware that I am one of the lucky ones. I am an adult. My mother had a good life. We had insurance that allowed us to treat her cancer and to keep her as comfortable as possible before she died. And in the past year, I got to know my mother as never before. I went with her to the hospital and bought her lunch while she had chemotherapy, searching for juices that wouldn't sting the sores in her mouth. We went to a spiritual doctor who made her sing and passed crystals over her body. We shopped for new clothes together, standing frankly in our underwear in the changing room after years of being shyly polite with our bodies. I crawled into bed with her and stroked her hair when she cried in frustration that she couldn't go to work. I grew to love my mother in ways I never had. Some of the new intimacy came from finding myself in a caretaking role where, before, I had been the one taken care of. But much of it came from being forced into openness by our sense that time was passing. Every time we had a cup of coffee together (when she was well enough to drink coffee), I thought, against my will: This could be the last time I have coffee with my mother.

Grief is common, as Hamlet's mother Gertrude brusquely reminds him. We know it exists in our midst. But I am suddenly aware of how difficult it is for us to confront it. And to the degree that we do want to confront it, we do so in the form of self-help: We want to heal our grief. We want to achieve an emotional recovery. We want our grief to be teleological, and we've assigned it five tidy stages: denial, anger, bargaining, depression, and acceptance. Yet as we've come to frame grief as a psychological process, we've also made it more private. Many Americans don't mourn in public anymore—we don't wear black, we don't beat our chests and wail. We may—I have done it—weep and rail privately, in the middle of the night. But we don't have the rituals of public mourning around which the individual experience of grief were once constellated.

And in the weeks since my mother died, I have felt acutely the lack of these rituals. I was not prepared for how hard I would find it to re-enter the slipstream of contemporary life, our world of constant connectivity and immediacy, so ill-suited to reflection. I envy my Jewish friends the ritual of saying kaddish—a ritual that seems perfectly conceived, with its built-in support group and its ceremonious designation of time each day devoted to remembering the lost person. So I began wondering: What does it mean to grieve in a culture that—for many of us, at least—has few ceremonies for observing it? What is it actually like to grieve? In a series of pieces over the next few weeks, I'll delve into these questions and also look at the literature of grieving, from memoirs to medical texts. I'll be doing so from an intellectual perspective, but also from a personal one: I want to write about grief from the inside out. I will be writing about my grief, of course, and I don't pretend that it is universal. But I hope these pieces will reflect something about the paradox of loss, with its monumental sublimity and microscopic intimacy.

Click here for the next installment

Tuesday, February 24, 2009

From Manhattan to Berkeley....

We lost another one.

I am definitely buying season tickets. Steven has even agreed to buy them too, so that I can finally introduce him to the best of Wildcat tradition.

But I'm getting a little bit aggravated with the lack of loyalty.

Wednesday, February 18, 2009

New Lorrie!

Foes: by Lorrie Moore

"He saw now that her fingernails really were plastic, that the hand really was a dry frozen claw, that the face that had seemed intriguingly exotic had actually been scarred by fire and only partially repaired. He saw how she was cloaked in a courageous and intense hideosity. The hair was beautiful but now he imagined it was probably a wig. Pity poured through him: he'd never before felt so sorry for someone. How could someone have suffered so much? How could someone have come so close to death, so unfairly, so painfully and heroically, and how could he still want to strangle them?"

An open letter from Coach Snyder

To the amazing students of Kansas State University:

Your support of the basketball team Saturday afternoon continues to be amazing. You mean so very much to players and coaches. I greatly appreciate your visible support of your university and your athletic programs. And a very special thank you for the heartwarming reception you have given my family and me at the basketball games. You are the best!

-Coach Bill Snyder


We saw Coach on TV during the game, and we all jumped up and cheered. Betsy mentioned that every living room in the state of Kansas just did the same thing. It's letters like this that keep living rooms of K-State fans happy and proud, all year long.

Thursday, February 12, 2009

Real or fake?

You decide.

Either way, it's interesting. I kind of think he's more attractive now. Weird? Definitely.

Wednesday, February 11, 2009

My future (borrowed from McSweeney's dispatches)

Ten reasons to be a librarian

You totally get to classify things.

Where else are you going to ruin a person's day over a 20-cent fine?

The funky glasses make you easily mistaken for a hipster.

You can make up whatever you want and people will believe you just because you're a librarian.

You get first dibs on unclaimed items in the lost-and-found box.

You get to be in charge of buying furniture that is least likely to show a piss stain.

Playing Scrabble on the Internet can be considered "professional development."

The most stressful thing that happens is arguing with people over why they cannot view their favorite pornography website.

Get to spend two hours designing a sign that says the library will be closed for the holidays.

No one says anything when you fall asleep during a meeting.


Ten reasons not to be a librarian

Who wants to go to grad school for two years to learn theory you will never use?

Those little punk teenagers on skateboards.

People kind of expect you to know things.

If you know enough about how to find information to be a good librarian, you can definitely make more money doing something else.

People automatically assume that you have some weird fetish for cats.

People expect you to help them find things when you are not working just because you know how.

Some people think you are weird because you classify things in your house—like clothes and dishes.

Writing library policy can be about as fun as watching paint dry.

Every great idea you have is likely to get shot down as soon as someone says, "Let's form a committee to decide things."

At some point in your career, someone will, or will try to, physically assault you over something incredibly lame (like not giving him or her more time on the Internet).


Care to live vicariously through my future self? Here's more.

(All content posted while at my current job. Work is good.)